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Posts tagged joel mchale

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The AT&T of People: Embracing Characters’ Flaws 
As viewers, we’ve all had the experience of watching a show and just not connecting with a character. There are always going to be characters populating the dial that just annoy us. What can shows do to make these characters more palatable? How about embracing the very things people don’t like?
On an episode of 30 Rock, Jack Donaghy (Alec Baldwin) tells a 127 Hours-esque story about ice climbing in which, after hurting his leg and getting stuck, he had to climb down into the crevasse to freedom. I bring this up not only because I relate to life almost exclusively through 30 Rock quotes, but because I’ve noticed TV show runners do the same with problematic characters. Instead of ignoring a character’s irritating attributes, sometimes shows just turn right into the skid. When the narrative acknowledges flaws, those same flaws can become endearing parts of what make a character great. Britta (Gillian Jacobs) from NBC’s sitcom Community (returning this Thursday!) is the perfect example of this phenomenon. Early in the show’s run Britta existed mostly as a stiff dream girl archetype for bad boy Jeff Winger (Joel McHale). Her purpose seemed to be mostly in giving Jeff disapproving looks and trying to make him be a better person. In short while she had a narrative purpose, Britta wasn’t a very funny character.
Community, one of the most meta and pop culture obsessed shows ever created, realized this quickly. Instead of trying to change Britta to be more laid back or quirky, the show instead decided to revel in exactly what made the character unpalatable. It emphasized her underdeveloped sense of humor, her hipster posturing and her false sense of superiority.
Variations on the phrase “Britta is the worst” became commonly sprinkled through episodes. Her name became a verb for making things horrible. (Google Britta’s name and Community and you’ll see a list of articles about how NBC “Britta’d” their winter schedule.) A funny thing came out of pointing out what made Britta annoying: she became one of the best characters on the show.
Not only is Britta now hopelessly endearing, but the show mines tons of comedy from the group’s disgusted reactions to her. In the mid-season finale her awkward Christmas song, including lyrics like “me so Christmas”, ground the Christmas pageant to a screeching halt. Britta’s very name might have become a punch line for being horrible (Troy memorably called her the AT&T of people) but Britta is undeniably hilarious. As she herself would say, Britta for the win.
How I Met Your Mother has similarly climbed down into the crevasse with romantic hero Ted Evelyn Mosby (Josh Radnor). At the show’s inception Ted was a wistful romantic looking for the woman who would eventually be the mother of his children. As the show has plugged along, however, viewers have often complained about Ted’s more annoying qualities.
Much like Community, How I Met Your Mother has embraced them. Ted can be something of a douchebag who over-pronounces words like “encyclopedia” and reads Dante in the original Italian. Instead of ignoring Ted’s more pretentious traits, the show has squeezed amusing moments out of calling attention to them. This makes Ted a more potent comedic character and works to make him much more likable.
Not every show reacts to viewer discomfort with characters by dropping into the crevasse though. In fact, most shows tend to stubbornly stick to their original conception of the character, no matter how they are received by viewers. A perfect example is the way Glee continues to write Finn Hudson (Cory Monteith) as a noble hero despite his often selfish actions.
While the show doesn’t exactly canonize Finn as a saint, it usually excuses and hand-waves his misdeeds. Conversely, the show is always quick to point out Rachel’s (Lea Michele) more irritating attributes. Maybe this is why Rachel feels infinitely more likable, even when doing bad things. Viewers know Rachel, unlike Finn, likely won’t get a free pass on her bad behavior.
Sometimes to embrace a character shows will change tracks entirely. In the delightful Parks and Recreations Leslie Knope (Amy Poehler) is something of a super heroine. But that wasn’t always the case. In the first season the show made fun of Leslie for her overzealous nature and rampant idealism. Not having fully divorced itself from The Office's more world-weary and cynical point-of-view, the show was laughing at Leslie but not with her. Soon enough the creative team behind Parks realized that the very things the show mocked Leslie for were things that made Leslie a great character. The tone of the show became just as sunny and optimistic as Leslie herself and the show became a bright spot of comedic sweetness in the sitcom landscape.
The cognitive dissonance between what a viewer sees on screen and what the narrative tells us we’re seeing can sometimes spoil a show. When shows are willing to address these issues, however, great characters are often the product. I hope more shows follow the example of Community and don’t “Britta” great characters by refusing to embrace their flaws.
— Read the full article and add to the discussion on Huffington Post TV HERE!

The AT&T of People: Embracing Characters’ Flaws

As viewers, we’ve all had the experience of watching a show and just not connecting with a character. There are always going to be characters populating the dial that just annoy us. What can shows do to make these characters more palatable? How about embracing the very things people don’t like?

On an episode of 30 Rock, Jack Donaghy (Alec Baldwin) tells a 127 Hours-esque story about ice climbing in which, after hurting his leg and getting stuck, he had to climb down into the crevasse to freedom. I bring this up not only because I relate to life almost exclusively through 30 Rock quotes, but because I’ve noticed TV show runners do the same with problematic characters. Instead of ignoring a character’s irritating attributes, sometimes shows just turn right into the skid. When the narrative acknowledges flaws, those same flaws can become endearing parts of what make a character great.

Britta (Gillian Jacobs) from NBC’s sitcom Community (returning this Thursday!) is the perfect example of this phenomenon. Early in the show’s run Britta existed mostly as a stiff dream girl archetype for bad boy Jeff Winger (Joel McHale). Her purpose seemed to be mostly in giving Jeff disapproving looks and trying to make him be a better person. In short while she had a narrative purpose, Britta wasn’t a very funny character.

Community, one of the most meta and pop culture obsessed shows ever created, realized this quickly. Instead of trying to change Britta to be more laid back or quirky, the show instead decided to revel in exactly what made the character unpalatable. It emphasized her underdeveloped sense of humor, her hipster posturing and her false sense of superiority.

Variations on the phrase “Britta is the worst” became commonly sprinkled through episodes. Her name became a verb for making things horrible. (Google Britta’s name and Community and you’ll see a list of articles about how NBC “Britta’d” their winter schedule.) A funny thing came out of pointing out what made Britta annoying: she became one of the best characters on the show.

Not only is Britta now hopelessly endearing, but the show mines tons of comedy from the group’s disgusted reactions to her. In the mid-season finale her awkward Christmas song, including lyrics like “me so Christmas”, ground the Christmas pageant to a screeching halt. Britta’s very name might have become a punch line for being horrible (Troy memorably called her the AT&T of people) but Britta is undeniably hilarious. As she herself would say, Britta for the win.

How I Met Your Mother has similarly climbed down into the crevasse with romantic hero Ted Evelyn Mosby (Josh Radnor). At the show’s inception Ted was a wistful romantic looking for the woman who would eventually be the mother of his children. As the show has plugged along, however, viewers have often complained about Ted’s more annoying qualities.

Much like Community, How I Met Your Mother has embraced them. Ted can be something of a douchebag who over-pronounces words like “encyclopedia” and reads Dante in the original Italian. Instead of ignoring Ted’s more pretentious traits, the show has squeezed amusing moments out of calling attention to them. This makes Ted a more potent comedic character and works to make him much more likable.

Not every show reacts to viewer discomfort with characters by dropping into the crevasse though. In fact, most shows tend to stubbornly stick to their original conception of the character, no matter how they are received by viewers. A perfect example is the way Glee continues to write Finn Hudson (Cory Monteith) as a noble hero despite his often selfish actions.

While the show doesn’t exactly canonize Finn as a saint, it usually excuses and hand-waves his misdeeds. Conversely, the show is always quick to point out Rachel’s (Lea Michele) more irritating attributes. Maybe this is why Rachel feels infinitely more likable, even when doing bad things. Viewers know Rachel, unlike Finn, likely won’t get a free pass on her bad behavior.

Sometimes to embrace a character shows will change tracks entirely. In the delightful Parks and Recreations Leslie Knope (Amy Poehler) is something of a super heroine. But that wasn’t always the case. In the first season the show made fun of Leslie for her overzealous nature and rampant idealism. Not having fully divorced itself from The Office's more world-weary and cynical point-of-view, the show was laughing at Leslie but not with her. Soon enough the creative team behind Parks realized that the very things the show mocked Leslie for were things that made Leslie a great character. The tone of the show became just as sunny and optimistic as Leslie herself and the show became a bright spot of comedic sweetness in the sitcom landscape.

The cognitive dissonance between what a viewer sees on screen and what the narrative tells us we’re seeing can sometimes spoil a show. When shows are willing to address these issues, however, great characters are often the product. I hope more shows follow the example of Community and don’t “Britta” great characters by refusing to embrace their flaws.

— Read the full article and add to the discussion on Huffington Post TV HERE!

Filed under Features community britta perry Gillian Jacobs joel mchale Parks and Recreation Amy Poehler leslie knope how i met your mother ted mosby josh radnor the office glee rachel berry finn hudson lea michele cory monteith ted evelyn mosby 30 rock jack donaghy alec baldwin site: huffington post

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'Community': 'Urban Matrimony and the Sandwich Arts' Teaser
At the PaleyFest Community Viewing Party in New York last Saturday, fans of the comedy gathered to participate in a “Greendale Pep Rally” (complete with costume and poster contests) and watch the upcoming episode “Urban Matrimony and the Sandwich Arts.” Event-goers were also able to watch the PaleyFest panel livestreamed from L.A., which was also available for viewing online. Keep reading for some teasers (warning: mild spoilers ahead) and general thoughts on the episode, which airs on March 15 at 8pm on NBC.Shirley’s Wedding Brings the Group Together  Proving why we sorely missed Community during its hiatus, “Urban Matrimony and the Sandwich Arts” is an example of why this great sitcom is one worth saving. While Community episodes generally swing between the big meta episodes and the smaller, more grounded ones, this episode was a prime example of the latter, focusing on how Shirley’s upcoming nuptials affect each member of our favorite dysfunctional study group. Without giving too much away, the episode highlights several relationships in the group. For fans who have taken sides about who Jeff should end up with, there are plenty of moments to go around (both Jeff/Annie and Jeff/Britta fans should be happy). Plus, we literally see into Jeff’s heart. (Spoiler alert: his true love might be alcohol.) According to the wild cheering at the Paley event, however, it seems like the preferred Jeff pairing is with his favorite karaoke buddy Dean Pelton. It’s nice to have an episode focused on Shirley, played by the lovely Yvette Nicole Brown, who can sometimes fall through the cracks in such a wacky ensemble. What’s also great is that all the characters are showcased — while Shirley is the focus and her wedding the reason everyone has gotten together, the episode really works for all the characters.  New Sides to Familiar Faces When the others face the wedding of one of their own, secrets are revealed and strangeness ensues. Look for Britta to discover a new talent that hilariously throws her into a tailspin. We find out the meaning behind Shirley’s high-pitched Miss Piggy voice, which got a giant laugh at the screening. Jeff gives a speech that doesn’t go so well and Troy and Abed try to act normal with disturbing results. Plus, Chevy Chase gets to do some classic physical comedy in the end tag. At the panel, Dan Harmon talked about this season as the darkest and the upcoming episode clearly has some dark moments. But what shines through most of all is the love shared among this wacky, broken group of people that rely on each other. At the end of the day Community really is about human beings, with all their weird flaws and foibles, and that’s why we love them.  One last teaser: we get another glimpse of our favorite furry vent-dweller.
—Read the full article and sound off in the comments at BuddyTV HERE! SIX SEASONS AND A MOVIE Y’ALL!!

'Community': 'Urban Matrimony and the Sandwich Arts' Teaser

At the PaleyFest Community Viewing Party in New York last Saturday, fans of the comedy gathered to participate in a “Greendale Pep Rally” (complete with costume and poster contests) and watch the upcoming episode “Urban Matrimony and the Sandwich Arts.” Event-goers were also able to watch the PaleyFest panel livestreamed from L.A., which was also available for viewing online. Keep reading for some teasers (warning: mild spoilers ahead) and general thoughts on the episode, which airs on March 15 at 8pm on NBC.

Shirley’s Wedding Brings the Group Together
Proving why we sorely missed Community during its hiatus, “Urban Matrimony and the Sandwich Arts” is an example of why this great sitcom is one worth saving. While Community episodes generally swing between the big meta episodes and the smaller, more grounded ones, this episode was a prime example of the latter, focusing on how Shirley’s upcoming nuptials affect each member of our favorite dysfunctional study group.

Without giving too much away, the episode highlights several relationships in the group. For fans who have taken sides about who Jeff should end up with, there are plenty of moments to go around (both Jeff/Annie and Jeff/Britta fans should be happy). Plus, we literally see into Jeff’s heart. (Spoiler alert: his true love might be alcohol.) According to the wild cheering at the Paley event, however, it seems like the preferred Jeff pairing is with his favorite karaoke buddy Dean Pelton.

It’s nice to have an episode focused on Shirley, played by the lovely Yvette Nicole Brown, who can sometimes fall through the cracks in such a wacky ensemble. What’s also great is that all the characters are showcased — while Shirley is the focus and her wedding the reason everyone has gotten together, the episode really works for all the characters.

New Sides to Familiar Faces

When the others face the wedding of one of their own, secrets are revealed and strangeness ensues. Look for Britta to discover a new talent that hilariously throws her into a tailspin. We find out the meaning behind Shirley’s high-pitched Miss Piggy voice, which got a giant laugh at the screening. Jeff gives a speech that doesn’t go so well and Troy and Abed try to act normal with disturbing results. Plus, Chevy Chase gets to do some classic physical comedy in the end tag.

At the panel, Dan Harmon talked about this season as the darkest and the upcoming episode clearly has some dark moments. But what shines through most of all is the love shared among this wacky, broken group of people that rely on each other. At the end of the day Community really is about human beings, with all their weird flaws and foibles, and that’s why we love them.

One last teaser: we get another glimpse of our favorite furry vent-dweller.

—Read the full article and sound off in the comments at BuddyTV HERE! SIX SEASONS AND A MOVIE Y’ALL!!

Filed under Features community Yvette Nicole Brown Joel McHale Jeff Winger Britta Perry Annie Edison gillian jacobs Allison Brie Danny Pudi Troy and Abed Donald Glover Jeff/Annie Jeff/Britta site: buddytv community 3x12